PUNI (The Art of Leaf Fronds Folding)
June 21st, 2008 in galleryPUNI - Bulakenyo's way of decorating using leaf fronds folding
The Art of Leaf Fronds Folding in Bulacan Province Philippines
Puni
refers to the dying art of coconut leaf weaving. Puni is a tagalong
term from the province of Bulacan which means to beautify or decorate
with the use of coconut leaf. Coconut leaves are fashioned by folding,
plaiting, braiding and simple weaving, which may have functional as
well as aesthetic uses.
Puni designs can be categorized according to
their uses. The most common designs are in the form of toys such as
birds, fish, grasshopper, etc. They are also used as food containers
for suman, rice and various kakanin, the most commonly known is the
“puso” and paraphernalia for religious rituals especially during Palm
Sunday when these design are used to accentuate the “palaspas”. But
today they serve as modern artistic expressions and arrangement. The
art is being revived through practical ways by preserving, developing
and transforming these puni designs into decorative pieces used as
decors, accessories and accents for various arrangement or crafts.
Though
fresh coconut leaves is the most commonly used for this art, fresh
leaves dry and crumple in a few days, the weaves loosen and the design
loose its beauty. In exchange for fresh coconut leaves, dried buri or
buli (palm) leaves are use to create a particular puni design and are
more suitable as ornamental pieces especially if they are dyed or
colored.
Puni or coconut leaf weaving did not originate from
Bulacan. It is said that the art is of Malayan origin. But one thing is
for sure any place with coconut trees in abundance has an item made
from coconut leaf weaving. But the Bulakenyos pioneered the revival of
this ephemeral art, at least in our country.
The present collection
and compilation of puni designs is a result of continuous research,
mostly skills sharing and exchange, along with contributions of various
individuals dedicated to revive this vanishing art.
Puni is very
Filipino…. It exemplifies the true character of the Filipino, creative,
simple yet very artistic, a product of hard work, patience and true
love.
Acknowledgement:
This is through the concept and
efforts of Mrs. Milagros S. Enriquez, a noted Bulacan food historian,
together with the mastery of Mrs.Gigi Garcia that this art is
continuously revived, researched, developed and propagated through
demonstrations, hands-on workshops and exhibitions.
The Bulakenyos
are very proud and very thankful to the people who shared the vision
and mission of reviving this particular craft and art form.
Note: This is my narrative piece when I attended the
ASEAN-ROK Workshop and Exhibition on Traditional Artifacts
January 16 to 18, 2006
Yangon, Myanmar
Pattern or design used: My own design











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